Until now, every Saints Row sequel was more over-the-top than the one before, eventually finding new tops and then somehow over-ing them. EDM-themed criminals who twirl glowstick shields, Saints Row is a good time. That’s probably the only description I can come up with vague enough to describe every game in the series, including this new reboot, without just saying it’s Grand Theft Auto except the jokes are funny. The Saints are loveable sociopaths to be fair, who alternate between organised crime and high-spirited hijinx like throwing themselves into traffic for insurance money, and also some light drug trafficking on the side. Saints Row is a knockabout driving/shooting/flying ragdoll-em-up in which you lead a misnamed gang of sociopaths. By the time I had fully leveled up my character I had access to everything from flaming punches to the ability to shoot through walls, but rarely did I feel the need to use them in favour of the more traditional skills like throwing grenades and activating temporary armour which made for a mostly conventional brand of firefights. In addition, there’s a recharging skills system that allows you to bind special abilities to four hotkeys.

It doesn’t exactly create a propulsive ballet of ballistics to rival Doom Eternal, but it’s a neatly streamlined setup that allows you to recover from damage without having to scramble for dropped medkits or fumble with a consumables menu. The combat itself is snappy and serviceable, and in the absence of a proper cover system is heavy on circle-strafing and pulling off occasional execution moves in order to replenish your health mid-fight. It doesn’t exactly create a propulsive ballet of ballistics to rival Doom Eternal DLC’s and updates. The only ones that really stand out are the garish, neon-soaked Idols who appear to have grown restless waiting for Ubisoft to announce a new Watch Dogs. But in between these peaks is a relentless rinse-and-repeat cycle of wave-based shootouts against a handful of rival gangs that are uniformly bullet spongy and largely indistinguishable from one another. That’s not to say I wasn’t entertained for significant stretches at a time, and while the rags-to-riches story of the new Saints gang in the sandswept city of Santo Ileso is anything but original it at least facilitates a handful of B-grade action scenes that do an admirable impersonation of Uncharted, with a car-hopping convoy chase and an explosive train robbery among the more dazzling high points along the way to the campaign’s somewhat underwhelming end.

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